Suppose fiction is a mansion of mirrors where narrative, setting and plot are characters, and suppose this castle is haunted by Martians constantly rearranging, reversing and transelating its furniture of myths, fables and nursery rhymes. Let’s play space-wars, say the Martians, it’s just a game
our guns shoot words. You zap a Martian. She disappears, but it turns out this Martian is a master chef who even created a recipe for life. How are you going to get the recipe back? How rebuild her carnival laboratory?

Near the end of these wry and witty pages we are told of someone from Ontario, and the same page asks, Where is Ontario from? The same could be asked of the Red Planet, or Quartermain’s ingredients: her lists, her seemingly endless strings of relations made tastier by the weight of form, be they tales, news reports, voice imitations. Metaphysics, local history, classics, astronomy
the reference range is vast, but so is the contemporary experience. A rising crust!
Michael Turner