Poetry. In Boisvert’s world, horses sprout from seeds and fawns fall out of the sky. And a whole day may pass where all we do is take turns holding brightly- colored babies swaddled in white towels. But inside that day is the quiet reminder that not all our children survive. Though sometimes as a minotaur and sometimes as a tree, the speaker in these poems moves through surreal plots and landscapes which, when read together, create a touching and singular story of childhood and parenthood, and of transformation through loss. The poems in BORN are steeped in silence. And out of that silence, the world is assembled, again and again, each time an attempt to make meaning of life, its sorrows, love, and loss. Boisvert wields his boundless imagination deftly, honestly, aware that no matter how spellbinding and dream-like his poems are, their ultimate task is to make one feel more human. In that, he succeeds, wildly. These poems are lanterns to carry through our darkest inner landscapes. –Raoul Fernandes

Like a Mobius band, BORN is a fluid continuum, an extended poem in which the speaker circles back to his childhood loss of his father, then toward, into, and through the loss of his own newborn son. Surreal, verbally exact, and charged with both visceral power and tenderness, the poems capture the essence of loss through emblems that recall us to our own childhood dreams: a lake of fawns, a crow costumed as a doctor, a unique constellation formed of a father, a doctor, and a death cradle. As we enter each poem’s vivid room, we feel these images moving into us. And when the speaker says My heart is still trying to be with him, the reader shares not only in his lament for his son, but also in his wonder at how love grips and transforms us, how it models and molds our world. These are unforgettable, haunting poems–and they enlarge our faith in the heart’s strength and resiliency. –Karen Holmberg

I am a huge fan of Jon Boisvert’s poetry. Above all, it is honest. I cannot think of a more honest surrealist and this is my highest compliment. I feel better and worse after having read Jon’s work. Better because I know more inexhaustibly how awful the world is and worse for how much I, like the poet, am driven to live anyway. –Emily Kendal Frey