With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of speciality shops - from sushi bars to discotheques and tatto parlours. Examining the rise of popular culture, Barker brings together Russian and American scholars to cover topics as various as post-Soviet rave culture, rock music, children and advertising, pyramid schemes, tattooing, pets and spectator sports. They examine detective novels, anecdotes, issues of feminism and queer sexuality, nostalgia, the Russian cinema, and graffiti. Discussions of pornography, religious cults and the deployment of Soviet ideological symbols as post-Soviet kitsch also help to demonstrate how the rebuilding of Russia’s political and economic infrastructure has been influenced by its citizens’ cultural production and consumption.