The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of radical politics, philosophy, film and psychoanalysis. In this deliciously polemical work, Zizek shows Deleuze’s connections to both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the ‘organs without bodies’ in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the ‘radical chic’ Deleuzians, arguing that such projects turn Deleuze into an ideologist of today’s ‘digital capitalism’. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.