First Light: Muhly & Glass

Format
Audio
Published
4 June 2021
ISBN
0827949074561

First Light: Muhly & Glass

Violinist Pekka Kuusisto and the Norwegian Chamber Orchestra present First Light, the first fruit of Kuusisto’s tenure as the ensemble’s Artistic Director, on which two eminent New York composers are cast in a Nordic light. The album offers the world premiere recording of Nico Muhly’s Shrink (Concerto for Violin and Strings), a unique, remotely-recorded rendition of Philip Glass’ The Orchard by Kuusisto and Muhly, and Kuusisto’s new string orchestra arrangement of Glass’ “Mishima” String Quartet No. 3.

Violinist, conductor and composer Pekka Kuusisto is renowned for his artistic freedom and flair in directing ensembles. Since its formation in 1977 the Norwegian Chamber Orchestra has established itself as one of the foremost chamber orchestras on the international classical music scene today. Nico Muhly is one of the most-performed composers of his generation, and appears as pianist on this album.

Kuusisto, the NCO and Muhly all make their PENTATONE debut.

Review

This recording felt like a musical representation of the last 18 months. From a world premiere recording to a piece that was recorded on separate continents, it’s a miracle that this album ever came into existence thanks to the difficulties of performing in these strained times. Pekka Kuusisto is well known in his native Finland for his championing of contemporary composers, and having only just taken over the tenure as artistic director of the Norwegian Chamber Orchestra, he is using this opportunity to do what he does best – be adventurous.

Shrink is the latest offering from a Melbourne favourite Nico Muhly. A contemporary violin concerto written for and dedicated to Kuusisto and co- commissioned by the Australian Chamber Orchestra, Shrink premiered here in Melbourne in December 2019 in a highly praised performance. How wonderful to revisit this piece here in its world premiere recording. Philip Glass’ ‘The Orchard’ finds Kuusisto and US-based Muhly collaborating again, as they try to work out how to record the piece while stuck on opposite sidesof the Atlantic Ocean. Entering different recording studios, they each put down their tracks and somehow the beauty of their friendship shines through this ‘separate yet together’ approach to modern recording. The album finishes with Kuusisto’s own arrangement of Philip Glass’ String Quartet No. 3. It was instantly recognisable to my ears as a long-time classical music listener, though this arrangement stands out for its sumptuous timbre, due to Kuusisto’s use of a full string orchestra.


Kate Rockstrom is a friend of Readings.

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