Almost forty years separate Verklärte Nacht (Transfigured Night ) from the Violin Concerto - the former still influenced by the idiom of Brahms and Wagner, the latter deriving from the richness of that later period when Schoenberg managed to combine a multiplicity of approaches within his twelve-note system.

Between post-Romantic twilight and ‘classical’ rigour, Isabelle Faust and her most faithful partners offer us an extraordinarily lively interpretation of some of the most remarkable pages in twentieth-century musical literature.