With one eye on using the banjo to showcase Americas rich heritage and the other pulling the noble instrument from its most familiar arena into new and unique realms, Fleck and Washburns second album is simultaneously familiar and wildly innovative. This is the follow up to self-titled debut that earned the 2016 Grammy for Best Folk Album. This time around, the mission was to take their double banjo combination of three finger and clawhammer styles to the next level and find things to do together that we had not done before, says Bla. The results are fascinating, especially considering their strict rules for recording: all sounds must be created by the two of them, the only instruments used are banjos (they have seven between them, ranging from a ukulele to an upright bass banjo), and they must be able to perform every recorded song live.