Mozart: Double Piano Concertos
‘The cadenza in K365’s opening movement ends with a chromatic scale over three and a half octaves, split between the two pianos, and I swear you can’t hear the join. Those moments where the two pianos toss a motif between each other sound for all the world like a single instrument. And each knows when to fine his tone down to pianissimo to let the other have his moment in the spotlight …The Jussen boys have found perhaps the perfect collaborator in Sir Neville Marriner.‘ - Gramophone
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