In the third instalment in Fabio Bonizzoni’s survey of the secular cantatas with instrumental accompaniment, composed by Handel during his stay in Italy, come a quartet of works associated with the Venice-born maecenas Pietro Ottoboni, including the substantial Ero e Leandro, the libretto for which is plausibly considered to have been written by the Cardinal Ottoboni himself.As well as the seldom-performed cantata for bass, Spande ancora a mio dispetto and Ah! Crudel, nel pianto mio scored for soprano solo, Bonizzoni also directs the Spanishtexted No se emendará jamás.