It is this book that confirms Lind’s status as an author of international importance. -New York Times

Sergeant Gauthier Bachmann is the perfect Nazi soldier. But after a horrifying defeat at Voroshenko, where most of his Eighth Hessian Infantry Regiment was slaughtered in a single instant, Bachmann was declared mentally unfit to serve. Incapable of accepting this judgment, and of returning to his girlfriend and a quiet life as a gold- and silversmith, Bachmann wanders the war-ravaged countryside, trying to find a way to rejoin his regiment, or any regiment, and return to the front.

While trying to find his regiment and come to terms with the horrors he has seen and committed, the increasingly unstable Bachmann is manipulated by a series of figures from the war’s underbelly-deserters and collaborators, corrupt officers and sexual predators-who induce him to carry out their venal missions, which they’ve justified against the background of institutionalized murder going on all around them.

Containing dark echoes of Jaroslav Hasek’s The Good Soldier Svejk, Jakov Lind’s Landscape in Concrete is an astonishing and highly original imagining of (the) dimensions of evil including sadistic cruelty, of the condition of being a victim and the madness abroad which constitutes the virtual victory of Hitler if we fail to translate survival into freedom (Anthony Rudolf).

Jakov Lind was born in Vienna and survived the Second World War by fleeing into Germany, where he disguised himself as a Dutch deckhand. Regarded in his lifetime as a successor to Beckett and Kafka, Lind was posthumously awarded the Theodor Kramer Prize in 2007.

Ralph Manheim was one of the great translators of the twentieth century. He translated Gunter Grass, Bertolt Brecht, Louis-Ferdinand Celine, Hermann Hesse, Peter Handke, and more. In 1982, PEN American Center created an award for translation in his name.