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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Abbe Mouret’s Transgression (La Faute de l'Abbe Mouret) (1875) is the fifth novel in Emile Zola’s twenty-volume series Les Rougon-Macquart. Viciously anticlerical in tone, it follows on from the horrific events at the end of La Conquete de Plassans, focussing this time on a remote Provencal backwater village. Unusually for Zola, the novel contains very few characters and locations, and the level of realist observation compared to outright fantasy is most uncharacteristic; however, the novel remains extraordinarily powerful and readable, and is considered one of Zola’s most linguistically inventive and well-crafted works.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Abbe Mouret’s Transgression (La Faute de l'Abbe Mouret) (1875) is the fifth novel in Emile Zola’s twenty-volume series Les Rougon-Macquart. Viciously anticlerical in tone, it follows on from the horrific events at the end of La Conquete de Plassans, focussing this time on a remote Provencal backwater village. Unusually for Zola, the novel contains very few characters and locations, and the level of realist observation compared to outright fantasy is most uncharacteristic; however, the novel remains extraordinarily powerful and readable, and is considered one of Zola’s most linguistically inventive and well-crafted works.