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Anna Moschovakis measures words, crosses languages, and invents forms. In a mode of inquiry, friction, and barbed naivete, these four long poems trouble notions of history, self-knowledge, and intimacy, insisting that how to be is a question we can never tire of confronting.
From Paradise (film two) :
/ Being raised in science / under the sign of logic / I never understood how certain / promises / could be made / I could say I promise / that unless something unexpected happens / I will do the dishes every night / this week / I was very literal / especially with my lovers / I could say I love you today / but not I will love you tomorrow /
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Anna Moschovakis measures words, crosses languages, and invents forms. In a mode of inquiry, friction, and barbed naivete, these four long poems trouble notions of history, self-knowledge, and intimacy, insisting that how to be is a question we can never tire of confronting.
From Paradise (film two) :
/ Being raised in science / under the sign of logic / I never understood how certain / promises / could be made / I could say I promise / that unless something unexpected happens / I will do the dishes every night / this week / I was very literal / especially with my lovers / I could say I love you today / but not I will love you tomorrow /