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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
a??Recollections of the Grabhorn Pressa?? offers a fascinating glimpse into the world of fine press printing in America during the 20th century. This oral history transcript, compiled between 1967 and 1969, features the voices of Edwin E. Grabhorn, Ruth Teiser, and Francis Peloubet Farquhar, providing firsthand accounts of the press's operations, artistic vision, and historical context.
Readers will discover the intricate details of book design, typography, and printing techniques that defined the Grabhorn Press's distinctive style. The recollections shed light on the personalities and collaborations that shaped the press's legacy, making it an invaluable resource for scholars, book collectors, and anyone interested in the history of printing and graphic arts. This transcript captures the spirit of innovation and craftsmanship that made the Grabhorn Press a significant force in American bookmaking.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
a??Recollections of the Grabhorn Pressa?? offers a fascinating glimpse into the world of fine press printing in America during the 20th century. This oral history transcript, compiled between 1967 and 1969, features the voices of Edwin E. Grabhorn, Ruth Teiser, and Francis Peloubet Farquhar, providing firsthand accounts of the press's operations, artistic vision, and historical context.
Readers will discover the intricate details of book design, typography, and printing techniques that defined the Grabhorn Press's distinctive style. The recollections shed light on the personalities and collaborations that shaped the press's legacy, making it an invaluable resource for scholars, book collectors, and anyone interested in the history of printing and graphic arts. This transcript captures the spirit of innovation and craftsmanship that made the Grabhorn Press a significant force in American bookmaking.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.