Colonialism and Culture: Hispanic Modernisms and the Social Imaginary

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Iris Zavala argues that Hispanic modernism is an emancipatory narrative of self-representation. Out of Cuba’s struggles against Spanish and U.S. colonialism, modernism emerged among the Hispanic intelligentsia as an attempt to create a collective narrative rejecting colonial cultural patterns.

Hispanic modernism crusaded for a cosmopolitanism opposed to colonialism. The work of Jose Marti, Ruben Dario, Valle-Inclan, Unamuno and Julian del Casal rejects a hegemonic idea of progress and the imposition of alien political and cultural practices. Through a poetics of negation, they generated a revolutionary social and artistic awakening that resulted in the unprecedented cultural achievments of Hispanic modernism.