The winners of the 2026 Victorian Premier's Literary Awards have been announced! Discover the wonderful Australian books honoured this year.
VPLA Winner
Evelyn Araluen's second poetry collection, The Rot, won the Prize for Indigenous Writing and was awarded the Victorian Prize for Literature!
The Rot
Evelyn Araluen
The Rot is a recalcitrant study of the decaying romances, expired hopes and abject injustices of the world. A liturgy for girlhood in the dying days of late-stage capitalism, these poems expose fraying nerves and tendons of a speaker refusing to avert their gaze from the death of Country, death on Country, and the bloody violence of settler colonies here and afar.
Across sleepless nights, fractured alliances and self-destructive coping strategies, The Rot is what happens when poetry swallows more rage than it can console, quiet or ironise – this book demands you ready yourself for a better world.
Prize for Fiction
Fierceland
Omar Musa
After many years abroad, Roz and Harun return to Malaysian Borneo for the funeral of their father Yusuf – and to reckon with their inheritance. A renowned palm-oil baron during Malaysia's economic rise, Yusuf built the family's immense wealth by destroying huge tracts of rainforest. What his children know is that he was also responsible for the violent disappearance of a man who stood in his way.
Harun has become a successful tech entrepreneur in Los Angeles, Roz is an artist struggling to stay afloat in Sydney. Now they want to return something their father stole from the forests of their homeland. In their quest for redemption they grapple with the legacy of power and corruption, dreamers and exiles, thugs and zealots. Most dangerous of all, they are haunted – by the ghosts of colonialism, the ghosts of family, the ghosts of language, and the ghosts of the forest itself.
Prize for Non-Fiction
Find Me at the Jaffa Gate
Micaela Sahhar
What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, none of which can crisscross the globe with their refugee owners. It is not the streets and neighbourhoods of a father’s childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.
Fixing her gaze on moments, places and objects – from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem – Micaela Sahhar assembles a story of Palestinian diaspora, returning to the origins of violence in the Nakba. Find me at the Jaffa Gate is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home
Prize for Poetry
KONTRA
Eunice Andrada
KONTRA enacts a poetics of clashing decadences, testing the tightrope between 'feminine' goodness and deviance, desire and refusal, reverence and repulsion. It casts a female gaze on the kontrabida, a Filipina soap opera villain stuck in a rise-and-fall cycle. The poet reimagines the kontrabida as a figure driven not by revenge, but by wild desire. Oscillating in and out of character, Andrada navigates the tension between poet and persona. Alongside the shapeshifting, spectral force of the kontrabida, the poet invokes a chorus of voices to trace a lineage of opposition and the alternate futures it holds.
The collection is in the form of a narrative triptych. The opening section 'KONTRA' explores the power and fate of the oppositional figure. In 'OPER', two characters speak alongside each other to excise painful histories of domination and sexual assault; which moves us forward to the final section 'BIDA', to a more genuine, queer persona that is free from domination.
John Marsden Prize for Writing for Young Adults
This Stays Between Us
Margot McGovern
Four girls share a cabin on their school retreat – in an abandoned town where the ghost of Smiling Jack is known to haunt the isolated campers.
Shelley is the new girl with her own haunted past.
Mack made things awkward by kissing her best friend.
Priya thinks she's ready to take the next step with her boyfriend.
Raffi has a flair for drama, and convinces them all to hold a seance.
But when you call on the darkness, sometimes the darkness replies …
Prize for Children's Literature
Once I was a Giant
Zeno Sworder
When a picture-book maker runs out of stories, his pencil decides it's time to tell her own …
'My first memories were of darkness and reaching for sunlight. My roots connected me to everything. I was small but I was also the forest.'
Here is the story of a green giant and a small wanderer who formed a friendship that spanned lifetimes.
From the award-winning author of My Strange Shrinking Parents comes a luminescent and hopeful tale about our living natural world.
The People's Choice Award
Discipline
Randa Abdel-Fattah
Silence is complicity, but how do we confront the cost of speaking up?
Sydney, May 2021. Ashraf is an academic whose career and personal life are in freefall. Hannah is a young journalist struggling to honour the voices of her community.
When a Year 12 student from a local Islamic college is arrested for protesting a university's ties to an Israeli weapons manufacturer, Ashraf sees an opportunity to exploit his personal connection to the situation for professional redemption. Meanwhile Hannah, who is juggling the demands of new motherhood and family trauma, fights racism in the newsroom. As Israel's bombardment of Gaza intensifies into the final weeks of Ramadan, Ashraf and Hannah must reckon with their choices, values and places in their communities. Will they be prepared to make sacrifices in the pursuit of what is right?
Additionally, the Prize for Drama went to Super by Emilie Collyer and the Prize for an Unpublished Manuscript was awarded to Charlotte Guest for her work, The Kookaburra.
Read more about the awards and this year's winners here, or revisit the shortlists to find more great Australian writing!
