From rows of umbrellas on an Italian beach, to lines of commuters in the rain in Ireland, from the ghost of Apollinaire in the Moscow underground, to a snowbound truck-stop in Pennsylvania, from migrant boats crashed against the borders of Europe and America, to the nebulous shape of elephant clouds drifting out over Dublin Bay, Moore’s fourth collection, Zinger, is marked by a belief in the world as a cosmopolitan place, where people belong anywhere and everywhere. These are not poems simply about places or geography, but about how we map and inhabit those places. Zinger takes the reader through a landscape pockmarked by crisis but ultimately resilient and alive with the hope people keep in each other.