Sebastiao Salgado. GENESIS
Lelia Wanick Salgado
Sebastiao Salgado. GENESIS
Lelia Wanick Salgado
“In Genesis, my camera allowed nature to speak to me. And it was my privilege to listen.” -Sebastião Salgado
On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward-though it took years of hard work before he had the experience to earn his living as a photographer-the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely.
What does one discover in Genesis? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska… and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens Genesis to “my love letter to the planet.”
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