Latino
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Latino

Karadaglic Milos

Catalogue # 4790063

Latino includes new arrangements for solo guitar and string orchestra of favourite Latin hits such as Gardel’s Por una cabeza (popular from the film Scent of a Woman), Piazzolla’s classics Libertango and Oblivion, and the folk hit Quizás, Quizás, Quizás.

Solo tracks include Villa-Lobos’s Prelude no. 1 (one of Milos’ signature tunes heard in many of his concerts around the world), beautiful tremolo pieces by the ‘Chopin of the Guitar’ Augustin Barrios, and the tango that defines the genre, La cumparsita.

2011 was a great year for Miloš Karadaglić, he was Gramophone Magazine’s “Young Artist of the Year” and recipient of its Specialist Classical Chart Award. His Deutsche Grammophon debut album The Guitar (4779693), has sold over 150,000 copies worldwide.

Milos: Latino

Barrios Mangoré:
Un Sueno en la Floresta
Una limosna por el amor de Dios

Brouwer, L:
Un dia de Noviembre

Cardoso:
Milonga

Dyens:
Tango en skaï

Farrés:
Quizás, quizás, quizás
Arr. Christoph Israel · Guitar Part Revised By Stephen Goss

Gardel:
Por Una Cabeza
Arr. Christoph Israel · Guitar Part Revised By Stephen Goss

Matos Rodriguez:
La Cumparsita
Arr. Stephen Goss

Morel, Jorge:
Dansa brasilera

Piazzólla:
Libertango
(Version With Short Intro) Arranged for Orchestra By Christoph Israel · Guitar Part Revised By Stephen Goss
Oblivion
Arr. Christoph Israel · Guitar Part Revised By Stephen Goss

Ponce, M:
Scherzino Mexicano
Guitar Sonata No. 3: Chanson: Andantino molto espressivo

Savio:
Escenas brasileñas (a gogo y batucada)

Villa-Lobos:
Prelude No. 1 in E minor
Mazurka

Miloš Karadaglić (guitar)
Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel

Review

The classical-guitaristwith- the-movie-star-looks’ second album is a collection of Latin American pieces. Featured here are Carlos Gardel’s ‘Por Una Cabeza’ (popular from the film Scent of a Woman), Piazzolla’s classics ‘Libertango’ and ‘Oblivion’, and the folk hit ‘Quizás, Quizás, Quizás’ in a new arrangement for solo guitar and string orchestra. Karadaglic really shines on the solo pieces – Villa Lobos’s ‘Prelude No.1’(one of Milos’ signature tunes heard in many of his concerts around the world), and Leo Brouwer’s beautiful ‘Un dia de noviembre’ are standouts on a recording that is not short on memorable moments. This is a well balanced programme that will only enhance Karadaglic’s standing in the world of the classical guitar. He tours Australia in November of this year.

Phil Richards is from Readings Carlton

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