A History of Books
A History of Books
The major work of fiction in this collection, A History of Books, explores the relationship between reading and writing in twenty-nine sections, each of which begins with the memory of a book that has left an image in the writer’s mind. The memory of the books themselves might have faded, but the images remain in their clarity and import - scenes of discord and madness, a stern-faced man, a young woman on a swing, a glass of beer and rays of sunlight, mountain and woodland and horizon - images which together embody the anxieties and aspirations of a writing life, and its indebtedness to what has been written and read. A History of Books is accompanied by three shorter works, ‘As It Were a Letter’, ‘The Boy’s Name was David’ and ‘Last Letter to a Niece’, in which a writer searches for an ideal world, an ideal sentence, and an ideal reader.
On the eighth page of Barley Patch – a work of fiction by Gerald Murnane, published in 2009, the first such work to appear since Murnane decided that he was finished writing novels over a decade earlier, and for that reason alone a very considerable one – the narrator declares:
‘One day, I decided not to go on reading one after another book of a sort that could be called literature – that day was only a few months before the day when I decided to write no more fiction. When I made the earlier decision, I intended to confine my reading in future to the few books that I had never forgotten; I would reread those books – I would dwell on them for the rest of my life.’
Of course, the reader (especially the reader that is, like me, particularly fascinated by and dedicated to the writing of Gerald Murnane) wonders, which books are included in this small but all important selection, which books have stood out from a lifetime of reading? And yet the question is never answered. At least perhaps until now.
In fact, Murnane may have turned whatever reservations he had about reading, writing and publishing into subject matter. A History of Books (which is published with three shorter works) is Gerald Murnane’s tenth book of fiction, and its concerns are writing, reading and memory. It is divided into nine sections, each of which explores in detail the images that have been left in an unnamed narrator’s by certain books. The narrator moves imperceptibly from one memory to another, from one book to another, from image to image, never making pronouncements, always suggesting, giving the reader a glimpse at something beyond the bend. The final paragraph is sublime.
Murnane is one of the most original writers at work any where in the world today. In A History of Books, he is as reflective, elusive, and mesmeric as ever.
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