Bite Your Tongue

Francesca Rendle-Short

Bite Your Tongue
Format
Paperback
Publisher
Spinifex Press
Country
Australia
Published
1 August 2011
Pages
246
ISBN
9781876756963

Bite Your Tongue

Francesca Rendle-Short

Bite Your Tongue is a story of great heart. It is the story of a teenage girl’s growing up in Queensland during the 1970s, the daughter of a morals crusader: Angel Rendle-Short / Mother Joy Solider. The tale is thoroughly embedded in Premier Joh Bjelke-Petersen’s conservative Queensland; a time of great social change for the whole of Australia. The narrator’s family is characterised by the fervour of religious fundamentalism and extremism, which manifested itself in Angel’s highly public, right-wing activism. Bite Your Tongue is also the story of the daughter as an adult and a writer, facing her mother’s mortality while at the same time ‘discovering’ her in archival materials. These threads are woven together in a mix of novel and memoir, each informing and illuminating the other with their different voices, making Bite Your Tongue a highly original work. Using this unusual and fascinating form, Francesca presents a personal social history, documenting a strong, conservative protest movement with a very real list of books to ban and to burn. While harrowing at times, Bite Your Tongue also displays a superb lightness of touch, and a great joy in the power of language. It is an investigation into the very nature of storytelling, displaying great humour and heart.

Review

[[FRS]] I’m always interested in reading generational books about mothers and daughters. What stories from my daughter’s childhood will last the distance into adulthood? By all accounts nothing I do is going to have the long-term effects that Francesca Rendle-Short’s mother has had on her life. Having said that, without her upbringing, readers would have missed out on this unusual and dynamic author.

Set in Queensland in the 1970s, Bite Your Tongue centres on what it was like to grow up with a moral crusader as a mother. Rendle-Short wanted to write about her childhood, and did so by creating a fictional narrator, Glory. This enabled her private thoughts and insights to be made public. Her mother was sure that many school texts were the work of the devil, and worked tirelessly to have the offending texts banned from schools. The only way for her daughter to survive childhood was to keep silent. The story is interspersed with images and letters that reflect Glory’s (Francesca’s) life.

Rendle-Short’s use of lyrical language is not always successful, but is indeed beautiful. Her published work includes fiction, poetry, and writing for theatre. In this, her second novel, her love of responsive language is clear. This is a sad story in many ways, though Rendle-Short assigns no blame. It illustrates that at times actions do speak louder than words. It lays bare the pain of forgiveness and acceptance. It validates the endless tie between mothers and their daughters, and of course, vice-versa. Bite Your Tongue is really a poetic ode to a time gone by and to a relationship that taught acknowledgment. I’ve passed my copy on to my mum, because as Rendle-Short says, ‘reading changes everything.’

Chris Gordon is events coordinator of Readings

Bite Your Tongue

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