Wanderer

Scholl Andreas

Wanderer
Format
Audio
Published
16 October 2012
ISBN
0028947846963

Wanderer

Scholl Andreas

A new and exquisite collection of German songs from counter-tenor Andreas Scholl, providing a perfect balance between text and music. The choice of music reflects Scholl’s belief that music need not be confined in performance to a particular voice type, as long as “the singer’s approach is true.”

Scholl pulls off a bravura display in Schubert’s An Mignon, singing in both the counter-tenor and baritone register. The performance of these songs reveals an intuitive understanding between singer and accompanist, Andreas Scholl and Tamar Halperin.

Brahms:
In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33)
Es ging ein Maidlein zarte (No. 21 from Deutsche Volkslieder, WoO 33)
Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33)
All mein Gedanken, die ich hab (No. 30 from Deutsche Volkslieder, WoO 33)
Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33)
Gut'n Abend, gut'n Abend, mein tausiger Schatz (No. 4 from Deutsche Volkslieder, WoO 33) Intermezzo in A major, Op. 118 No. 2, piano solo

Haydn:
The Wanderer, Hob. XXVIa:32
Recollection, Hob. XXVIa:26
Despair, Hob. XXVIa:28

Mozart:
Das Veilchen, K476
Abendempfindung an Laura, K523
Rondo in F major K494, piano solo
Ridente la calma, K152

Schubert:
German Dance D145 No. 6 in B minor, piano solo
Im Haine, D738
Abendstern, D806
An Mignon D161
Der Tod und das Mädchen, D531
Der Jüngling auf dem Hügel, D702
Ave Maria, D839
Du bist die Ruh D776 (Rückert)

Andreas Scholl (counter-tenor) & Tamar Halperin (piano)

Review

Counter-tenor AndreasScholl displays hisconsiderable talent in thisbeautiful collection ofGerman songs. Featuringworks from Brahms,Haydn, Mozart and Schubert, Schollstrikes a perfect balance between wordsand music. The tracks here reflect Scholl’sbelief that music need not be confined inperformance to a particular voice type, aslong as ‘the singer’s approach is true’.Scholl pulls off a bravura display inSchubert’s An Mignon, singing in both thecounter-tenor and baritone register. Theperformance of these songs reveals anintuitive understanding between Scholland the accompanist, Tamar Halperin.

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