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  <title>Readings.com.au: Prime Minister's Literary Awards 2009 Winners</title>
  <author>
    <name>Readings staff</name>
    <email>customerservice@readings.com.au</email>
  </author>
  <link rel="self" href="/feed/collection/prime-minister-s-literary-awards-2009-winners"/>
  <id>/feed/collection/prime-minister-s-literary-awards-2009-winners</id>
  <updated>2009-11-04T14:50:12Z</updated>
  <entry>
    <id>9780522854787</id>
    <title>Drawing the Global Colour Line</title>
    <author>
      <name>Marilyn Lake and Henry Reynolds</name>
      <email>customerservice@readings.com.au</email>
    </author>
    <summary>$36.95 </summary>
    <updated></updated>
    <content type="html">&lt;a href="http://www.readings.com.au:80/product/9780522854787/marilyn-lake-and-henry-reynolds-drawing-the-global-colour-line" title="Drawing the Global Colour Line"&gt;&lt;img alt="" class="cover" src="http://www.readings.com.au:80/covers/thumb/0522854788.jpg?1205501531" /&gt;&lt;/a&gt;&lt;p&gt;&lt;i&gt;"[This] is a pioneering account of the transnational
production of whiteness in the late nineteenth and early twentieth
centuries. A work remarkable both for its international breadth and
for its sensitivity to local particularity, it is a model for the
new global history. Marilyn Lake and Henry Reynolds expertly and
imaginatively reconstruct how leading white intellectuals and
politicians in Australia, South Africa, the United States, and
Great Britain fought demands for racial equality and jointly
invented new doctrines of racial superiority to justify the
maintenance and, in some cases, the reinvigoration of white
privilege in every part of the world that Britain either controlled
or in which it had once deposited its settlers. A powerful and
sobering history, incisively and elegantly told."&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Gary Gerstle, author of &lt;em&gt;American Crucible: Race and
Nation in the Twentieth Century&lt;/em&gt;&lt;/i&gt;&lt;/p&gt;

</content>
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  </entry>
  <entry>
    <id>9781920882440</id>
    <title>House Of Exile </title>
    <author>
      <name>Evelyn Juers</name>
      <email>customerservice@readings.com.au</email>
    </author>
    <summary>$32.95 &lt;a href="http://www.readings.com.au/review/house-of-exile-evelyn-juers"&gt;&lt;img alt="Review_badge-trans" src="http://www.readings.com.au/images/review_badge-trans.png" /&gt;Read Review&lt;/a&gt;</summary>
    <updated></updated>
    <content type="html">&lt;a href="http://www.readings.com.au:80/product/9781920882440/evelyn-juers-house-of-exile" title="House Of Exile "&gt;&lt;img alt="" class="cover" src="http://www.readings.com.au:80/covers/thumb/1920882448.jpg?1222673927" /&gt;&lt;/a&gt;&lt;p&gt;In 1933 the prominent author and political activist Heinrich
Mann and his partner Nelly Kroeger were forced to flee Germany,
finding refuge in France and later, in great despair, Los Angeles.
There Nelly committed suicide in 1944 and Heinrich dies in 1950.
Prior to their death they formed a unique clique of friends in
exile, crossing paths with the likes of Joyce, Brecht, Kafka,
Schwitters and Woolf. House of Exile is a unique work, pioneering a
new literary form - the collective biography. This book is a must
for all interested in the literary landscape of the 20th century
and those with interest in the Bloomsbury, Algonquin set. National
reviews expected.&lt;/p&gt;

</content>
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  </entry>
  <entry>
    <id>9780143009610</id>
    <title>The Boat</title>
    <author>
      <name>Nam Le</name>
      <email>customerservice@readings.com.au</email>
    </author>
    <summary>$24.95 &lt;a href="http://www.readings.com.au/review/the-boat-nam-le"&gt;&lt;img alt="Review_badge-trans" src="http://www.readings.com.au/images/review_badge-trans.png" /&gt;Read Review&lt;/a&gt;</summary>
    <updated></updated>
    <content type="html">&lt;a href="http://www.readings.com.au:80/product/9780143009610/nam-le-the-boat" title="The Boat"&gt;&lt;img alt="" class="cover" src="http://www.readings.com.au:80/covers/thumb/0143009613.jpg?1328852380" /&gt;&lt;/a&gt;&lt;p&gt;&lt;strong&gt;Winner of the Prime Minister's Literary Award for
Fiction 2009&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;'The Boat raises the bar for Australian writing.'&lt;br /&gt;
PETER CRAVEN, &lt;i&gt;Heat&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
'Nam Le is . . . a distributor of the peace.&lt;br /&gt;
&lt;br /&gt;
'Consider the subjects of his stories: a child assassin in Colombia
('Cartagena'), an ageing New York artist desperate for a
reconciliation with his daughter ('Meeting Elise'), a boy's coming
of age in a rough Victorian fishing town ('Halflead Bay'), before
the first atomic bomb falls in Japan ('Hiroshima'), The
suffocations of theocracy in Iran ('Tehran
Calling').&lt;span&gt;&amp;nbsp;&lt;/span&gt; This astonishing range is topped and
tailed by accounts of the uneasy reunion of a young Vietnamese
writer in America with his ex-soldier father, and by the title
story &#8211; the escape of a group of exhausted refugees from the
Vietcong in a wallowing boat.&lt;br /&gt;
&lt;br /&gt;
'One might be permitted to think, after all this high seriousness
and intensity, Nam Le can't do funny.&lt;span&gt;&amp;nbsp;&lt;/span&gt; But this
criminally talented 29-year-old can do that as well.'&lt;br /&gt;
BARRY OAKLEY, &lt;i&gt;Australian Literary Review&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
'Stunning'&lt;br /&gt;
&lt;i&gt;The Times&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
'A fearless new Australian voice that accepts no geographical
limits: these are stories of leaping power and the most
breath-taking grace and intimacy.'&lt;br /&gt;
HELEN GARNER&lt;br /&gt;
&lt;br /&gt;
'Wonderful stories that snarl and pant across our crazed world . .
. an extraordinary performance.&lt;span&gt;&amp;nbsp;&lt;/span&gt; Nam Le is a
heartbreaker, not easily forgotten.'&lt;br /&gt;
JUNOT DIAZ&lt;br /&gt;
&lt;br /&gt;
'The fiction debut of the year.'&lt;br /&gt;
JAMES LEY, &lt;i&gt;Australian Book Review&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;
'The best book debut of 2008.'&lt;br /&gt;
&lt;i&gt;New York Magazine&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;'The runaway literary success of 2008.'&lt;br /&gt;
&lt;i&gt;Weekend Australian&lt;/i&gt;&lt;/p&gt;

</content>
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  </entry>
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